The Initiator

Foto_GCI remember my early childhood distinctly. Surrounded by angels I felt at home and supported  - I lived in my very own world.

Growing up as the only child in a typical middle-class family in Vienna in the fifties I learned very soon that “everything you cannot touch does not exist”, and not to “dream” and to function in reality.

I forgot this other world – the one from which I had come – very quickly. What remained was an ever-lasting feeling of not fitting into this world, not being part of it. An insatiable, inexplicable yearning.

In “normal” life, I functioned quite well:  commercial college, first responsible jobs, wedding, birth of my two children, building up a successful medium-sized marketing company.

In the late 1980s, the big crisis struck – I knew that I couldn´t and didn´t want to go on living like that. My rescue was a newspaper article, 2 days later I attended an 8-day conclave at the “Quadrinity Process”. This meant a quantum leap in my life, a rediscovery of everything that I had lost, a remembering. The following years, I practically lived in two worlds: professionally, I lived in “normal” reality, privately I concerned myself with spiritual issues. These were years of growth in both worlds, just like a tree that can only grow taller if its roots are spread further into the ground.

Education/Experience these last 20 years:

Biodynamic psychotherapy following Gerda Boyesen (1 year), integrative gestalt therapy (5 years), Core-shamanism, Dale Carnegie trainings, Landmark Forum, family and organisation constellations following Bert Hellinger, The Journey following Brandon Bays.

Elisabeth Kübler-Ross, Barbara Brennan, Rüdiger Dahlke, Jasmuheen have influenced me enormously, I have also learnt a lot of practical skills from Bärbel Mohr and Roy Martina.

Thanks to constant constructions and redesigns in our premises and the design of our private home, I started concerning myself with Feng Shui.

I noticed more and more how our environment shapes us and started to look closer, “feel” closer. What “lifts my spirits”, what “drags me down.”

I became more and more interested in the connection between feeling – thought – word – manifestation in our lives.

I also began question “art” – what trauma, what terror is being transported via some “works of art” – then hanging in our living rooms, hotel lobbies, work places accompanying us through our days, or even worse: our nights.

I was looking for alternatives to uplift and strengthen rooms energetically. I found the usual offer of waterfall posters, dolphin couples, dream catchers… uniform things, mainly from foreign cultures.

However, I also found fantastic artists. Works of art, created in “connection with a greater power that protects and carries us”. Harmony in form and colour that initiates healing processes, helps us find our part of us that we often forget, reminding us that we are a part of the universe, of God, the source, the infinity…

The approach of the different artist could hardly be more different: colour, stone, clay, glass, material, numinous, geometrical, structured, intensive, ethereal. What they all have in common is devotion to life. The devotion with which their works of art are created, is fascinating. These people have a duty and specific skills. They carry that out with great seriosity, humbleness and with great fun. The do not produce, the create something individual with their hands.

I have found my task in giving as many people as possible the opportunity to integrate these works of art into their lives, to let them be touched, be opened, be healed, find the source.

I remember my early childhood distinctly. Surrounded by angels I felt at home and supported  - I lived in my very own world.
Growing up as the only child in a typical middle-class family in Vienna in the fifties I learned very soon that “everything you cannot touch does not exist”, and not to “dream” and to function in reality.
I forgot this other world – the one from which I had come – very quickly. What remained was an ever-lasting feeling of not fitting into this world, not being part of it. An insatiable, inexplicable yearning.
In “normal” life, I functioned quite well:  commercial college, first responsible jobs, wedding, birth of my two children, building up a successful medium-sized marketing company.
In the late 1980s, the big crisis struck – I knew that I couldn´t and didn´t want to go on living like that. My rescue was a newspaper article, 2 days later I attended an 8-day conclave at the “Quadrinity Process”. This meant a quantum leap in my life, a rediscovery of everything that I had lost, a remembering. The following years, I practically lived in two worlds: professionally, I lived in “normal” reality, privately I concerned myself with spiritual issues. These were years of growth in both worlds, just like a tree that can only grow taller if its roots are spread further into the ground.
Education/Experience these last 20 years:
Biodynamic psychotherapy following Gerda Boyesen (1 year), integrative gestalt therapy (5 years), Core-shamanism, Dale Carnegie trainings, Landmark Forum, family and organisation constellations following Bert Hellinger, The Journey following Brandon Bays.
Elisabeth Kübler-Ross, Barbara Brennan, Rüdiger Dahlke, Jasmuheen have influenced me enormously, I have also learnt a lot of practical skills from Bärbel Mohr and Roy Martina.
Thanks to constant constructions and redesigns in our premises and the design of our private home, I started concerning myself with Feng Shui.
I noticed more and more how our environment shapes us and started to look closer, “feel” closer. What “lifts my spirits”, what “drags me down.”
I became more and more interested in the connection between feeling – thought – word – manifestation in our lives.
I also began question “art” – what trauma, what terror is being transported via some “works of art” – then hanging in our living rooms, hotel lobbies, work places accompanying us through our days, or even worse: our nights.
I was looking for alternatives to uplift and strengthen rooms energetically. I found the usual offer of waterfall posters, dolphin couples, dream catchers… uniform things, mainly from foreign cultures.
However, I also found fantastic artists. Works of art, created in “connection with a greater power that protects and carries us”. Harmony in form and colour that initiates healing processes, helps us find our part of us that we often forget, reminding us that we are a part of the universe, of God, the source, the infinity…
The approach of the different artist could hardly be more different: colour, stone, clay, glass, material, numinous, geometrical, structured, intensive, ethereal. What they all have in common is devotion to life. The devotion with which their works of art are created, is fascinating. These people have a duty and specific skills. They carry that out with great seriosity, humbleness and with great fun. The do not produce, the create something individual with their hands.
I have found my task in giving as many people as possible the opportunity to integrate these works of art into their lives, to let them be touched, be opened, be healed, find the source

Gabriele Cinibulk